Fourteen-year-old Homer Macauley is determined to be the best and fastest bicycle telegraph messenger anyone has ever seen. His older brother has gone to war, leaving Homer to look after his widowed mother, his older sister and his 4-year-old brother, Ulysses. And so it is that as spring turns to summer, 1942, Homer Macauley delivers messages of love, hope, pain... and death... to the good people of Ithaca.
Genre : Drama
Country : USA
Cast :
Alex Neustaedter : Homer Macauley
Sam Shepard : Willie Grogan
Meg Ryan : Mrs. Macauley
Director : Meg Ryan
Meg Ryan : Mrs. Macauley
Director : Meg Ryan
“Okay, the faster you deliver messages, the more you can deliver.
The faster you pick up outgoing messages, the more we can send.
The more we can send, the better our chances of beating western union and staying alive.
We're postal telegraph.
We get there swiftly.
We're polite to everyone.
We take off our hats in elevators and above all things,
we never lose a telegram.”
Because of the short playing time, Meg Ryan failed to unravel the fragile personality of Homer in an orderly manner. His leap to adulthood is fairly abruptly after the death of his father and the departure of his older brother. A brother who writes terribly long letters while on his way to the front, in such a prosaic writing style that it seems as if he wants to win a Pulitzer prize. The occasional reading of excerpts from these letters probably was meant to bring drama into the film. Eventually, I thought it was quite disturbing. A short playing time with a variety of storylines results in unfinished and "fast dealt with" pieces. The loss of a father figure, the responsibility as the eldest son, dutifully performing a job as a courier, the disastrous reports, war scenes, the drama of an old telegraph operator and a mother who occasionally experiences "Sixth Sense" situations. And then there are a few minor (but briefly quoted) secondary plots. It's all a bit too much.
The acting isn't really bad. But it seems like everyone is groping in the dark about his character. Especially Homer's boss Tom Spangler (Hamish Linklater) is such a blurred figure. We can be brief about Ryan and Hanks. As brief as their actual playing time. It's negligible. I only enjoyed the performances of Alex Neustaedter (obvious of course), Sam "Midnight Special" Shepard and the cute Ulysses (Spencer Howell) whose cuddle factor is very high. Especially Shepard makes a momentary impression. A brilliant and intriguing character. Eventually this coming of age story during the war makes a fairly comatose impression. It isn't really vivid.
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